The 1st time we went out as a couple after we had a child was to see Hannibal. It was February or the beginning of March. My wife’s parents were staying, Hannibal was on at Colchester Odeon, we’d enjoyed The Silence Of The Lambs (it had been one of our 1st dates in Paris) and also, crucially, we just didn’t think. We were too tired for that.
We drove there in the dark. I’d done my research, though, and Hannibal was written by David Mamet and starred Julianne Moore (as good as Jodie Foster) AND Gary Oldman, as well as Anthony Hopkins. But it was so appalling. Maybe a sequel’s nearly always bad?
We went home and went to bed. After a year’s worth of waiting for a night out – THIS.
Now we’re divorcing, you have to ask yourself: did we ever get it back?
Whatever ‘it’ was…
In late 1979 my family got a video cassette recorder. It was early in the life of the VCR and the reason was simple: my father was in advertising and OCCASIONALLY would watch a tape of a work in progress. But really it was a perk – something to show the neighbours and our teenage friends.
We recorded films (Sunset Blvd, Jason And The Argonauts and Play It Again, Sam were early entries, I remember) and watched them again and again. (Woody Allen never recovered the early form shown in that Herbert Ross movie, IMO. A controversial opinion – till he was accused of child abuse…)
The videotapes were made by Thorn and cost a lot. I numbered them and tape 2 was devoted to pop music. I used to record things off Top Of The Pops (no remote; I’d sit there with 2 fingers on the keys, not buttons, waiting…)
I remember taping Martha And The Muffins’ Echo Beach. I rerecorded over it quite soon but a fraction of it remained, the introduction.
I’ve just discovered that the sleeve of the single shows a map of Chesil Beach, near which an old friend now lives. And the title refers not to an actual beach but to a reference in Hiroshima Mon Amour by Ultravox! (John Foxx era), which would have meant a lot to me at 16. I know it’s out of fashion and a trifle uncool but…
As a brain damage sufferer/survivor, I’ve observed the same symptoms in Dominic Raab. The slowness of speech and the occasional sense that he has no idea what he’s actually saying. My heart bleeds for him – but it does raise the question: should he be Foreign Secretary? Esher and Walton, of which he is the MP, would of course vote in a brain-damaged man as long as he was a Tory. But still…
I wonder if they play rugby at Dr Challoner’s Grammar School, of which he is an alumnus? (Along with Roger Moore – I could see Raab fancying himself as James Bond material.) He DEFINITELY was a boxing blue at Oxford and captained the karate club there. Brain damage? That might explain how the son of a Jewish Czech, who came over in 1938, has allied himself with the pro-Brexit wing of the party. A man for whom the racist chant ‘send him back’ could have been invented. (Like Javid and Patel, as it happens.)
As Jodie Foster says in Alice Doesn’t Live Here Anymore: WEIRD!
I told myself, aged 5 or so: Ah well, everybody else seems so sure of things; I’ll just keep quiet about my needs. Which were – primarily – to be loved.
I remember once being at home, aged slightly older than was thought appropriate (maybe – gasp – 6!). I was tired and I wanted to be carried upstairs to bed. Whether I said ‘carry me, carry me’ or I had it said for me, ‘carry me, carry me’ became a joke at my expense. So I lay there on the floor downstairs, wailing, and everybody else went upstairs and ‘laughed’ about it.
And eventually I stopped crying, picked myself up, went upstairs and to bed.
So, that established a pattern – a pattern of not having emotional needs, which finally reached its conclusion in 2014 in the woods outside Mistley…
I had not less needs but MORE, after the stroke, and that was inadmissible.
Had a sobering chat with a man on the bus up Lexden Road. He was homeless, living in a tent in Stanway. He was so depressed he’d pulled all his fingernails out. I’ve been depressed in my time but I’ve never done that. He was originally from Glasgow, had been in rehab in Plymouth and been resettled in Colchester because he had family here, he said. Whatever… It hadn’t been a great success. Evidently.
He was on universal credit, £250 a month, he said. Not a lot of people make me think: I’m glad I’m me.
But he did.
He said he was hungry. I gave him 16p in a Post Office see-thru plastic change bag – all I had in change. He took it, not gratefully but without complaining. Then a little while later he returned the empty change bag. You never know when it might come in handy.
Lots of his films are available on YouTube right now:
This Sporting Life (1963)
O Lucky Man! (1973)
Is That All There Is? (1992)
Wham In China
The Whales Of August
I’ve watched the 1st 4.
This Sporting Life 4*
O Lucky Man! 2*
Is That All There Is? 2*
If…. still works exactly as if it had been made today (the cinematography by Miroslav Ondricek is particularly good). I’ve watched it recently with a 14yo and he loved it too. It’s like Harry Potter for him; for me, having been at Westminster only 9 years later, very real.
I 1st saw If…. when I was 14, an English teacher having told us to watch it (it was on the BBC). While I don’t think I was of a mass-murdering persuasion, I rehearsed in my mind the massacre at the end whenever (3 times a week) I came out of ‘Abbey’, down the cloisters. I would have been Johnny (David Wood); Mick Travis (Malcolm McDowell) would have been Tom Madge, the school rebel, who liked Millie Jackson at a time when we were just getting into New Wave, and who left Westminster to go to Pimlico for 6th form.
This Sporting Life is possibly the best British 1st feature ever made (tied with Sexy Beast?). Richard Harris is often criticised as being too Brando, but imagine if Brando had really been cast as Frank Machin, rugby league player? It would have been preposterous! So – at least in this film – Harris is so much better, surely? And Rachel Roberts is fantastic. But it is a bit long at 2 hours 14 minutes.
O Lucky Man has a few good bits but at 2 hours 58 minutes is MASSIVELY too long. Malcolm McDowell just grins his silly grin and Arthur Lowe wears blackface! Bizarrely, it gets 7.8 on IMDb while If…. gets 7.6! If anyone can explain this, please do.
I’ve also been reading Going Mad In Hollywood by David Sherwin, screenwriter of If…. An excellent and truthful If VERY depressing account of 30 years of scripting. What for? you may well ask. We have to do SOMETHING…
2 revelations: Jon Voight is barking mad; and Travis Bickle was named – Scorsese tells Sherwin – after Mick Travis.
Did I ever tell you this one? We had a rabbit called a girls’ name starting with ‘I’, back in the days when we thought pets would do it for us. She died aged 7 – not such a bad age for a rabbit – in 2004, in Mistley. (She had cancer!). Sometime at the end of the 90s I’d set up a password on my email (pet’s name, password 101). After the crash of 2008, money for screenplays suddenly became extremely hard to find – so I got a part-time subbing job at the start of 2009, having at that time an almost 8 year old, a 5 year old and a one year old who required feeding. (I was still doing the part-time job when I had the stroke.)
At the job, the production editor was called the girls’ name beginning with ‘I’ and at some stage she was sorting out my computer (she was very efficient) and she said: ‘What’s your email password?’
And I said, without thinking, her name. And she went bright red! And the more I tried to say ‘No, it’s not like that, it was a rabbit who died in 2004…’, the less convincing it sounded.
I changed the password that day…
Continuing the Anne Bancroft theme.
Dialogue by Harold Pinter, of course.
I knew him as the director of Zulu, Sands Of The Kalahari and Hell Drivers, three of the best Stanley Baker movies. But Talking Pictures and Film On 4 together have increased my interest. Born 1914 Scranton PA. Died 1995 Shipston-on-Stour, Warwickshire. As interesting as Losey, as an American-born McCarthy-victim UK director (and South Africa). But MUCH MORE obscure. I didn’t even know what he looked like until just now, and I’ve never read a word of interview. (But I had a WHOLE BOOK of Conversations With Losey, until I gave it to Dermot…
I’d DEFINITELY recommend The Sound Of Fury (1950), a lynching tale that – if I’m right in taking he wanted an African-American protagonist, but was denied – would still be a talking point.
And of the UK titles, Child In The House (1956), Jet Storm (1959) and Mysterious Island (1961) are all worth sitting thru (MI has terrible SFX but a Bernard Herrmann score!).
Last but not least, I want to see The Underworld (1950), with Dan Duryea and – possibly – Universal Soldier (1972), with George Lazenby!